Belgiovane: Logie for best TV commercial of the year would help reduce scam advertising

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Screen shot 2010-04-15 at 4.59.13 PM.pngIntroducing a Logie Award for the top TV commercial would help reduce the level of scam advertising by having the general public choose their favourite ad of the year, says BWM founding partner/ECD Rob Belgiovane.

He’s confident the category will be added in time for the 2011 Logie Awards after his suggestion to David Gyngell, CEO of Channel Nine, which broadcasts the annual television awards show, met with a positive response. The nominees are published in TV Week with the winners decided by public vote.

It was too late to add the awards to this year’s awards in May, but Gyngell has put it on the agenda for the first meeting about next year’s awards.

Screen shot 2010-04-16 at 10.49.19 AM.pngIt’s something that has been running successfully in othermarkets: the Emmy Awards has a category for Outstanding Commercial of the Yearand TVNZ runs the Fair Go Ad Awards, an hour-long program showcasing the bestand worst ads of the year as voted by the public.

Why now? Reducing scam advertising is on the agenda globallywith international awards shows such as the New York One Show banning agenciescaught entering scam ads and other awards shows tightening their entryrequirements.

“People are sick and tired of the agencies that win oftenwinning because they’ve constructed ads that are designed to win awards. Itmakes the industry look like it lacks integrity,” says Belgiovane (left). “This seemslike a fair way to really decide what is great advertising because youcertainly can’t enter a scam for something like the Logies, it has to have runfor people to know it.”

He says that whether the general public can be trusted tovote on the best commercial is irrelevant because they either like something orthey don’t so it’s not a question of trust, it’s whatever they vote for is whatthey love.

“If that aligns with what we are voting for in the awardjuries based on the industry people, even better. The ultimate outcome is thatif you can win the People’s Choice Award and the same commercial, forexample, wins the industry award, then that’s what you would classify as reallygreat advertising,” he says.

He says it’s a situation where everybody wins: “The publicgets to engage in another aspect and a significant aspect of what’s on theirscreen, Channel Nine benefits from making the Logies extremely relevant totheir primary target the media and advertising industry and of course theadvertising agency who wins benefits because you’re discovering what thegeneral public think is great work so it should help us get a betterunderstanding of what’s going on out in the community.”

Belgiovane says the people who make the ads are judgingpractically every advertising award in the country:  “So it becomes very incestuous, very in-industry, so thiswould be one of the first awards judged by the people, i.e., the people the adswere intended to appeal to,” he says. “So while there are a lot of awards allof them are judged by people who work in advertising and in a small populationlike Australia you basically get a situation where just about every award hasthe same jury and usually they are the people who did the work anyway, so youcan’t help but have a biased outcome for any given jury of industrypractioners. What happens when you go to the general public is you get a veryunbiased view of what is really good or what is not good.”