Chartered Accountants release challenging student campaign shot on Canon 5D stills camera
Rhodes Shapter, Sydney has released a new campaign for client the Institute of Chartered Accountants in Australia telling students that the Chartered Accountants qualification is “the toughest of its kind” – and the most rewarding.
The multi-touchpoint campaign is spearheaded by a tvc which the agency claims to be the first Australian TVC shot entirely on the full HD video mode of the Canon 5D stills camera.
Dale Rhodes, creative director of Rhodes Shapter, says the technologyhas huge advantages. “Image quality is sensational, and the stillscamera opens up the use of spectacular stills lenses – including shiftand tilt lenses for unusual focus effects”, says Rhodes.
Also, production is far simpler and more economical because of thelightness of the camera. “You can get into more places more easily -with far fewer people.” Handy when shooting at minus 15 degrees infifty knot winds on the top of a mountain.
The campaign encompasses television, online, print, DM sponsorshipopportunities and events and positions the Chartered AccountantsProgram as the “most challenging, most rewarding” qualification.
The campaign shows young people taking on a range of challengingendeavours including marathon running, open ocean sailing andmountaineering. It then talks about “rewarding you for life” as a youngcouple savours the fruits of their labour in London.
Graham Meyer,CEO of the Institute, says the strategy behind the campaign is to givethe Chartered Accountants designation a highly differentiatedpositioning in the marketplace:
“We worked closely with RhodesShapter to develop a positioning that would set us apart,” says Meyer, “and we arrived at ‘most challenging, most rewarding’. As theonly postgraduate accounting qualification in Australia, the CharteredAccountants Program is rigorous, so students recognise that a toughercourse makes them better qualified – and more in demand.”
The positioning was extremely well received by students in research, says Rhodes. “Studentslove the honesty of us going out and saying that this Program istough. And they immediately draw the link betweenchallenge and reward. They know it’s worth doing the best qualificationnow to set them up for their futures. They want to be set apart.”

33 Comments
first tv using the 5D? do your research guys
Hey, can we please have a post on tax time? It would be great to know the types of expenses you can claim as a creative. Cheers.
Oh dear, these time travellers have come from the past to steal your future as a director. There you were thinking you were so cutting edge with your 5D. Sorry mate.
One of the 1st local spots we will see in a veritable flood of DSLR shot TVC’s. 35mm, Arricam, Red, HD cam and now the DSLR choice. The production industry will change forever. Get onboard!
You can’t claim expenses as a creative. It’s not a real job.
Well shot but get your hand off it if you really think you were the first to use the 50D
Shoot TV on your personal camera, edit on your laptop at the train station. Take up those free production company lunches while you can. It’s going to get not the same quickly.
It’s important to remember that the 5D is a tool and not a solution … it worked for this execution but some people will find themselves going backwards on set with a tight schedule trying to shoot with a stills camera. So remember agency land, you tell us the idea and we will tell you the execution . The choice is out there but don’t put your blinkers on…. you still need us —
signed
Australian director — nu: 1150
technique nice, execution FAIL
australian first???……. don’t think so. check your facts.
In the last year we’ve been shooting all our jobs on string. So cost effective but it’s a pity you can’t see how talented we are.
I remember when Accountants were boring
Regardless – it only works if it’s a good ad. And it aint.
VO in the ad…The highest you can aim.. hahahahahahaa hilarious. Accountants, who knew they had such a sense of humour.
Who cares what it was shot on?
I wish someone would shoot me.
Credit to:
Production Company: Curious
Director: Summer Agnew
Producer: Matt Noonan
Editor: Luke Haigh
Agency Producer: Ian Ford
i’ve shot 3 or 4 spots on the 5D, the first was early last year some time.
and “shift and tilt lenses for unusual focus effects” .. bless.
oh and just because you can.. doesnt mean you should
Tools.
I shot an Australian tvc in July completely on the 5D.
I’m pretty sure I was not the first so that’s a really stupid claim to make in 2010.
thats a very dinosaur-ish thing to say
Cue wry smirk with a strong whiff of bullshit.
Let’s roll.
Looks like there are a lot of freaked production people out there tripping. Your days are numbered. Gaffers, Clapper Loaders, Labs, blah blah blah. it’s over.
Big production quality is now available on a camera, no bigger than a SLR.
No wonder you guys are shitting yourselves. Take the raw footage in to telecine and it’ll come to life. Just as well as footage from a camera squirting film.
Face it, the good times are almost over!
No wonder you folks are so bitchy.
Nick Robertson shot the entire Dymocks campaign with a stills camera 18 months ago. Wonderful stuff!
‘It will make you not a number’ That is just a seriously baaaad piece of writing.
Who cares what it was shot on, the ad is shite. Highest you can aim? I know this is advertising puffery, but surely CAD have to stop letting bogus statements like this through.
I’ve been away on a shoot, and so am a little late in catching this….
The story here is that this is a good example of Curious being a can-do-motherfucking film company and Summer Agnew being a can-do-motherfucking new director. He took on this brief for ICA and made a polished piece of work with the resources available.
As for the 5D, we’ve shot on this camera previous to ICA and will shoot on it again. This commercial is simply a great example of what this camera can do in the hands of a capable can-do-motherfucker.
Summer’s reel: http://www.curiousfilm.com/directors/summer-agnew
” He took on this brief for ICA and made a polished piece of work with the resources available ” , do you mean a shite script?
1.40 — my good man, buying a pencil doesn’t make you a writer.
1.40am — you are clueless and statements like that are cause for concern — some ‘not so bright sparks’ in advertising may just believe what you have stated.
Big production value out of a camera no bigger than an SLR — firstly they are SLR’S — production value does not come down to image quality alone…
what you meant to say is … Hi-DEF pictures with a film size sensor – using film lenses– and we in the production industry think they are great tools for the right job…
lets put things into perspective…
Clappers loaders become – data wranglers
Gaffers are people who works lights — lights are still required at times, it’s part of photography…
Film Labs become digital labs where you take your RAW footage and process it — ‘grade it’ and composite etc …
but one things remains – uneducated loudmouths are still …. uneducated loudmouths.
and the good times are just beginning
you must be a suit …
1.40 – Telecine requires some film I believe. If you want it graded you’ll have to put it in a data grading suite.
We all know the 5D takes a nice picture and that its a nice cheap medium to work on but if we continue to chase deals and cheaper and cheaper production values then we will always be considered the arse end of the world when it comes to creative content.
5.16 is right about the changing roles in new tech but it seems production crews are working for less and less money and at some point no one will be able to afford to do it any longer.
1:40 – I’m sure you’ll be very happy making viral ads on your stills camera for the rest of your life. One day you may even become a direct mail finalist.
12.25 I think he’s only winding you up that 5D can do everything
and if you think Viral ads get you somewhere in Direct Mail
I can see that might be easy to do.
Well done, Summer.
I’m a chartered accountant and I can’t even get a shag.
Love this though, it’s such a wank.