Curious Film director Ash Bolland fires up global campaign for Burn energy drink via Publicis Italy
CB Exclusive – Last July, Curious director Ash Bolland packed his bags for Buenos Aires to shoot the next installment of Coca-Cola Europe’s global campaign for Burn energy drink.
Accompanied by Tara Riddell (producer) and Lachlan Milne (Cinematographer), Bolland spent two weeks discovering the grittier side of Buenos Aires. Location scouts secured access to a housing estate in which to shoot an epic short film called ‘Burn | Never Extinguish’, featuring professional European skateboarders Rune Glifberg, Jonas Skroder, Hugo Maillard and Dany Hamard.


Bolland’s interpretation of the ‘Burn’ project has grit and tenacity. Written and directed by Bolland, it begins as Hugo falls off his board, symbolizing the failures that almost always precede success. The film is about sacrifice, failure, determination and resilience, and the encroaching storm is a metaphor for everything in life that holds us back and smashing though the other side.
Says Bolland: “Professional skaters spend their lives traveling the world, crashing on people’s apartment floors. It’s a grass roots profession, and I wanted to depict it in an authentic way. There’s something about starting off with a failure that instantly makes it a lot more honest.”
Prior to filming ‘Burn’, Bolland was busy shooting the ‘Green Box Project’ for Becks via Mother London. During the shoot, a team of creatives at Publicis Milan invited him to direct a short film starring Coke-Burn’s skateboard team. They’d just seen Bolland’s short films for ‘Viva’, which won a stack of awards at the German Art Directors Club awards, and felt Bolland, could bring something fresh to the Burn concept.
Bolland began writing a short film about four young skateboarders and the fuel that feeds their drive to “chase it, feed it and make it stronger”.
As a skater, he was adamant that all the tricks had to be achieved for real and in-camera to give the film authenticity. In fact almost everything seen in the film is real: the tricks, the fire, the debris – the tornado is the only thing created in cgi.
The Burn campaign is all about igniting and fuelling your passion, so Publicis Milan gave Bolland the freedom to create something epic and raw.
“This film is about evoking an emotion of skateboarding and the struggle to do want you really want to do in life. The tornado is a metaphor for life holding you back, instead of just keeping on doing what you want to do. So when Rune throws his skateboard into the tornado in the final shot, it’s a ‘fuck you’ to all the things that get in the way,” says Bolland.
The soundtrack by Al Boorman at Wevie creates an uncomfortable tension, yet because it is made up of hand-made elements it still feels earthy and real.
Expertly produced by Tara Riddell at Curious Film in Sydney with postproduction by Cutting Edge, ‘Burn’ is a four-minute film about to aironline – View the Burn Facebook Page – , in-cinemas, and at skateboard events globally.
In March 2011, Ash was a finalist at the Shots New Director Award for his ‘Genetically Modified’ campaign for MTV.
Says Bolland: “I love directing and the process; bringing something to life; making something that people have not seen before – something that will make them look at life a little differently. I love the idea of creating work that can affect people on an emotional level. That makes all the hard work worth it.”
(In case ad watchers were wondering, earlier this year Publicis Mojo, Sydney lost the Burn energy drink account after a pitch that involved several top agencies from around the world. Last year’s Burn film ‘Ride’, directed by Garth Davis from Exit Films, was highly award around the world.)
Coca-Cola Presents In Association With Publicis Italy & Curious Film Production A Film By Ash Bolland:
Client: Coca-Cola
Production Company: Curious Film Sydney
Cast: Rune Glifberg, Dany Hamard, Hugo Maillard, Jonas Skroder
Director Ash Bolland
Producer: Tara Riddell
Executive Producer: Tara Riddell & Peter Grasse
DOP: Lachlan Milne
Music: Al Boorman
Editor: Daniel Lee
Production Designer: Sebastian Orgambide
Special Effects: NASA FX
Colourist: Scott Maclean
Visual Effects & Animation: Cutting Edge
Additional VFX & Concept Design: Umeric

50 Comments
On the hot wheels of Garth’s opener last year, it’s another adventure in the back streets of the impoverished 3rd World, as fearless skateboarders from the 1st World all jacked up with sponsorship money and a film crew roll toward the impending danger, the wind, the looming darkness, the swirling pillar of fire. There had to be a swirling pillar of fire, didn’t there?
“I see it in my friends. The desire to chase it, feed it, become it.” ‘Apocalypse Now’ dialogue with skateboards, all that angst, and a suitably minimalist soundtrack. Make that ‘Post-Apocalypse Now’. As Count Floyd would say, “Woooo, scary kids.”
Frankly, I’m surprised these boys can spell extinguish, but with the right energy drink, and the Coke brand of sugar and caffeine and who knows what other Amazonian jungle additive, anything is possible, right? That’s the message, and we believe in Coke, alias Burn.
Another triumph for the uncluttered mind. Whew, we can hear the wind blowing through their little buzz cut heads from here.
Not a fan of this one.
it rulez you ignomramus douches!!!
go the the see Phantom of the Oprah if you want hi end culcha
Not a fan. Doesn’t make sense. Bad direction and writing.
Bolland: “I love directing and the process; bringing something to life; making something that people have not seen before.”
LOL… Its Coke Burn the Sequeal… I’m pretty sure we’ve seen it before.
Now I’m not…
Spare, dystopian and unfettered with colour, words or much else really other than a de-populated suburban wasteland.
The skateboarders scuttling like the last surviving cockroaches to nowhere, with the only other major elements the swirling wind and an industrial soundscape.
Speaks of the day after, of being the only ones around in an undead deserted city, of the dull anxiety of having had a couple of energy drinks before 11 am on an empty stomach.
Wicked.
As visually unimaginative and narratively undecipherable as its fan DrMofo’s comments are profane and illiterate.
On one level, however, it all begins to make sense if we can assume that DrMofo and his brethren are the intended audience. If this were the case, there may be some consolation in the notion that the vast majority of the individuals likely to suffer from the poisonous effects of the ‘energy drink’ are those who find the marketing here stimulating, in which case their accompanying mental disfunction may well go unnoticed.
I think Darwin might call this process natural selection.
Dr. Freud,
Please watch Idoicracy.
It is truly prophetic. And earns the sticker ‘comedy’
http://www.youtube.com/watch?v=BBvIweCIgwk
DrMofo wont take da insolenceses you account services drones!!! go to them 7 elevens and get some muffins for da clients.
DrMofo likes!!
and DrMofo RULEZ!
I’m just disappointed.
Well executed. Looks great!
Don’t hate just to hate.
We should be happy that Burn made round two.
Even happier they did it in Australia.
Dear Sweh, etc., if that really is your name.
Just a note that the trailer you posted is actually for the film, “Idiocracy”, not “Idoicracy” as you’d suggested.
Your version would be far more difficult to pronounce we suspect, and probably wouldn’t have as direct a reference to the word ‘idiot’, as the writer/director Mike Judge had intended.
Your error is somewhat counter intuitive really to the extent that ‘idiot’ is perhaps the one word we’d expect you to know a good deal about.
Dr. Freud,
Irony aside, spell checking an art director on a blog is like the rugby league world cup.
Inevitable and nobody gives a shit.
I like both idiocracy and this. what does that make me?
I think if the spot opened on three listless teenagers sprawled on a stinking sofa playing Tony Hawke on their PS3 whilst knocking back coke, you might actually have a truer approximation of the youth of today.
Skateboarding? That’s so last season of Jackass.
I quite enjoyed it. Nice build up complimented by the score and it’s good to finally see a less VFX focused piece by Ash (for the first half at least). That said it’s nothing new on the previous one, just a piece that will surely do it’s job with the target market.
Sweh
Agreed about rugby league and the general disinterest by anyone with an IQ in triple digits, but a mentally challenged individual, even an art director who can’t spell ‘idiot’ correctly is not so much a spell check as it is an intelligence test, and just too ludicrously loaded to pass on remarking.
Just a note that in most agencies, art directors aren’t exempted from possessing basic literacy anymore than copywriters are from knowing how to read a pantone or pms colour chart. It’s really boilerplate.
Tough to put irony aside, when it’s the central point, akin to “other than that Mrs. Lincoln, how did you like the play?”
are these comments any indication of how many old farts are still in the business?
Burn was great first time
Like milk it goes sour quickly
Ban recycled milk
Dr. Freud,
Alas, while working in many an agency, it is extremely rare to find a writer that knows the correct end of a Tria or the finer arts of kerning, leading and as you’ve just proven colour.
There is no Pantone or PMS, they are one and the same. PMS stands for Pantone Matching System. Kinda like telling a banker to use the ATM Machine.
I liked this sort of thing the first 189 times it was done by skateboarding companies. But please, don’t let that get in the way of ‘creatives’ or their awards.
Copywriters don’t know SHIT about PMS. But art directors should be able to spell.
“The tornado is a metaphor for life holding you back” so true.
its never been a creative piece. The last one wasn’t creative. It was a craft piece. This is exceptionally well done and has a good energy. Hats off. Helmets on. Well crafted.
nice work well done
Normally on this site i like really enjoy bagging out stuff even if I don’t mind it – That’s what makes this site fun right?
But this time it moved me. I wish i was involved – Honestly truly beautiful work.
Very cool. Reckon the kids are alright and they’ll like this. Wicked tornado. Great track.
Lovely pics by Lachy Milne, but how on earth do you take a South American urban sprawl, skateboarders and a cyclone and make it dull?
Oh, that’s how.
awe-inspiring sfx. love it.
Awesome VFX.
This is what happens when there’s no local agency to puff up their own work with glowing comments – you get a record of all the haters amongst us.
This is a top piece of global work from an Australian production company. We should be proud it came back home.
Wow this site attracts the biggest bunch of haters! Had to wade through all the bullshit to find the comments from people who actually watched the piece. This is awesome work – it moved me. Glad it was done here. Well done guys.
Haters hate because they don’t get love.
Do good works and the love will come.
I like how this spot caused the oldies to gripe about society as a whole. I’d say its hit the mark…
What I want to know is why my agency didn’t get to work on this brief. Doesn’t anyone like Mojo anymore?
Despite the assumptions by Sam, jesus, Nice, Very Nice, Sarah, and a few others, the objections to the preoccupations of this short film for Coke are not age specific.
I’m 28, I work in this profession, and I’m embarrassed for my generation by the preoccupations of the storytelling and the rambling existential nonsense of the dialogue, not to mention skatebored to death with the theme of rebels on little polymer wheels.
By the way, for those of you who have no eye with which to tell the difference, and no experience to judge talented work, the vfx, from the dark moody sky replacements to the fiery tower of Babel, are just absolute shit, and would have been done better by any number of alternative visual effects houses in Australia to the one that was chosen, for cost we can only guess.
cool shit. looks good
What’s up with all the haters? Some seriously jealous wankers out there. You are the tornado of fire. Your hate is consuming you.
The same VFX house that did the original highly awarded Burn, did this commercial also. Same artists.
So many haters. Good job Curious. A beautiful moody piece.
This gave me a stiffy – of fire!
@11:00AM
Really? You have no idea what you’re talking about. The lead artist on Garth’s “Burn”, in fact the only reason that Davis and team went with Cutting Edge, was Colin Renshaw, formerly of Animal Logic. Since the success with the first episode, Colin has left to create his own shop in Brisbane, Alt, and was not involved in the work of the Curious mob and Cutting Edge for this latest . . . It shows, at least to anyone who can recognise the difference.
The first was a vfx exercise in compositing, fires across the city, etc., and very photo-real sky replacements. This latest has the very CG looking 3D ‘tornado’ which would have been sub-par even in the mid-90s when Tony Kaye did his famous spot for Volvo and the then amazing twisters. The clouded skies in this edition from Bollard, well let’s just say that they wouldn’t pass muster at Fin, Animal, Fuel, Alt, and probably one or two others.
Critical comment, especially when it has a specific point and speaks from knowledge of the subject is not ‘hating’, it’s critical comment.
Conversely, PR spin is not objective praise, or ‘loving’, it’s PR spin for all the reasons that people would want to tout their own work and that of their friends.
When blind and frequently uninformed support for work presented on the blog is all that can be tolerated, then there will be no one capable of differentiating the good work from the mediocre, and the quality of work in general will suffer as a result.
@No Hate, No Love
Well said and most of us work in the realms of interpretation through our own experiences, so no praise or criticism is ever truly objective.
Mom! THe post houses are fighting again!!
My ears are burning. How embarrassment. Way to bitchy for me.
haters gonna hate, but you done good.
This is beautiful work. Visually stunning. First class direction. Ash is the next big thing so step aside all you old-school fogies and make way for the new generation of directing talent.